axmods. (
ataraxites) wrote in
ataraxionlogs2015-01-08 12:01 am
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Entry tags:
- !jump,
- bellamy blake,
- benny lafitte,
- bethmora fortescue,
- bucky barnes,
- captain hook (killian jones),
- caroline forbes,
- charles xavier,
- cole,
- commander shepard,
- cora hale,
- cullen rutherford,
- derek hale,
- dick "robin" grayson,
- ellen ripley,
- eponine thenardier,
- firo prochainezo,
- harry potter,
- heather mason,
- ivan,
- jackson "jax" teller,
- jennifer keller,
- johanna mason,
- john blake | au,
- john mitchell,
- kieren walker,
- l "ryuuzaki" lawliet,
- leo fitz,
- levi,
- liara t'soni,
- marian hawke,
- marty mikalski,
- minho,
- mordin solus,
- netherlands,
- octavia blake,
- padme amidala,
- raven reyes,
- richard rider,
- rick grimes,
- river tam | au,
- sally malik,
- sam alexander,
- simon tam,
- sirius black,
- takeshi,
- taylor "tyke" kee,
- thomas
thirty-ninth jump;
CHARACTERS: Any and all.
LOCATION: Gravity Couches and beyond.
WARNINGS: Maybe some swearing, or even some violence, and more than likely some implied (and possibly explicit) nakedness.
SUMMARY: Another month, another jump, another round of new faces.
NOTES: A feeling of deep dread greets you as you stumble out of the gravcouch, strong enough to hold you still for a long moment, searching your surroundings for the source of your wariness. Nothing becomes apparent, only your fellow passengers waking up. Eventually you gather the resolve to pick yourself up and start moving, the feeling fading slowly as you progress through routine.
New arrivals will find messages spraypainted across their lockers telling them not to follow their tattoo numbers, and instead to find a room on Floors 001-010.
----------------
YOU͘ ̨WAKE̢ ̧UP ́IN DA̛RKN̢E̕SS̶
There's a breathing tube jammed down your trachea, and you're suspended in a tube of clear blue fluid. Upon registering your level of consciousness, the gravity couch drains the fluid surrounding you and retracts the breathing apparatus; the doors in front of you open, and you're deposited on the floor of a stark, sterile medical bay.
YÓU̴ ̧ĄRE NOT҉ ̷ALǪNE҉
There are others who have come before you, others who are awakening beside you. Some may be familiar to you, perhaps even friends. Others have much less amiable plans. Some are merely alien and inexplicable, but there are always those who might mean you harm.
After you catch your breath and your vision returns, you notice a number on the inside of your forearm. Maybe it's a familiar number. Maybe it means something. Maybe it's just a number. But the number—completely unique to you—is a tattoo, and it does not come off.
If you enter the room adjacent to the medbay, you will find a small locker with your number on it, surrounded by rows upon rows of identical lockers. Inside, you will find a few of your personal items, a communications device, and a ship's uniform in your exact size. The comms device is fully powered and connects directly to the ship's network; it's your only means of communication beyond physical conversation. Upon turning the device on, a neutral, automated voice will say, "Please take the blue lift to the passenger quarters." Any other attempts at communicating with the rest of the network are met only with static.
TH̀IS͜ ̶I͠S͡ ͘Y̵O͝UR ̕W͝E̛L̨C͡O͝M͏E P̛AR̴TY͜
LOCATION: Gravity Couches and beyond.
WARNINGS: Maybe some swearing, or even some violence, and more than likely some implied (and possibly explicit) nakedness.
SUMMARY: Another month, another jump, another round of new faces.
NOTES: A feeling of deep dread greets you as you stumble out of the gravcouch, strong enough to hold you still for a long moment, searching your surroundings for the source of your wariness. Nothing becomes apparent, only your fellow passengers waking up. Eventually you gather the resolve to pick yourself up and start moving, the feeling fading slowly as you progress through routine.
New arrivals will find messages spraypainted across their lockers telling them not to follow their tattoo numbers, and instead to find a room on Floors 001-010.
There's a breathing tube jammed down your trachea, and you're suspended in a tube of clear blue fluid. Upon registering your level of consciousness, the gravity couch drains the fluid surrounding you and retracts the breathing apparatus; the doors in front of you open, and you're deposited on the floor of a stark, sterile medical bay.
There are others who have come before you, others who are awakening beside you. Some may be familiar to you, perhaps even friends. Others have much less amiable plans. Some are merely alien and inexplicable, but there are always those who might mean you harm.
After you catch your breath and your vision returns, you notice a number on the inside of your forearm. Maybe it's a familiar number. Maybe it means something. Maybe it's just a number. But the number—completely unique to you—is a tattoo, and it does not come off.
If you enter the room adjacent to the medbay, you will find a small locker with your number on it, surrounded by rows upon rows of identical lockers. Inside, you will find a few of your personal items, a communications device, and a ship's uniform in your exact size. The comms device is fully powered and connects directly to the ship's network; it's your only means of communication beyond physical conversation. Upon turning the device on, a neutral, automated voice will say, "Please take the blue lift to the passenger quarters." Any other attempts at communicating with the rest of the network are met only with static.
no subject
This one was a little better than a gym teacher.
[ Blake's lack of cooperation isn't making him any happier, but it doesn't matter, confirmation doesn't matter, he knows— it was Blake's voice, it fits, memory and reality line up exactly, he's not crazy, he just— ]
You put that in my head, [ he says, teeth flashing with the words and the whites of eyes turning half-moons under the deepening of his stare. ] Why.
no subject
Listen to yourself. How can— how can I put anything in your head? Huh? What d'you think? How would I—? How would I do that? You think it's not— [ Ah, fuck he's having trouble concentrating. Blake shakes his head like a dog, his fingers fruitlessly raking at the grapple that's keeping him in place. ]
Don't wanna fight you, dammit!
[ That last part's barked with intensity that he accompanies with a sharp shake. He's scared, he's disoriented, but he's not stupid, so negotiation isn't out of question (yet). ]
no subject
You wouldn't be the only telepath onboard. [ The acid in his tone has flattened as fast as it had spiked, like he's trying to convince himself now as much as Blake. ] Wouldn't be the only liar, either.
[ But the soldier knows a lie when he hears it, and that doesn't sound like one. Doesn't look like one, either. Confusion pitches his brow in a flinch. His grip loosens, uncertain, but doesn't quite relent. ]
no subject
I'm not a telepath an' I'm sure as hell not a liar. This is— How d'you know this isn't your problem?
[ The suggestion is weighty and it doesn't quite feel right when it comes out of Blake's mouth. He hasn't found his footing yet, but he's pretty sure stuff like that's not really him, if you get my drift.
John weasels a hand free of wherever it's been gripping and holds it up. ]
Can we just—? Can we talk 'bout this without the shadowy interrogation tactics? Jesus, I'm cooperatin' already...
no subject
There's a beat's hesitation. There are ways to be sure, about telepathy. He'd come a few centimeters from Charles's jugular with a shard of glass once. But not in the middle of a crowded room — and it's true, he doesn't know this isn't just him. (He never knows.)
With a begrudging nod and the groan of hinges, the hand falls away. There. Happy? ]
So talk.
no subject
He rolls his shoulders and tries to loosen, wary eyes on the other man the whole time. Interactions like this aren't uncommon for Blake — especially since quitting the police force — but he doesn't see any point in letting on to that fact. ]
There is a guy — someone I knew back home. Eccentric type. We used to kick around here an' there. He was big into tactics and theory. It was— [ Not a lie, but not the whole truth. ] It's nothin', if that's what you saw... We played hard.
[ John doesn't appreciate having to operate like this. He's used to people not bothering to ask questions. He gets the occasional comment about being from Gotham, but few people go probing into his past. Then again, there's probably something to be said for easy access... ]
no subject
'Cause you're just a hobbyist, right? [ A tilt of the forehead. He looks like he believes that about as much as he believes in the tooth fairy. ] He sure as hell wasn't.
[ If there's a note of respect in his voice at that, well, maybe he would have gotten along alright with Bruce Wayne. ]
no subject
A long breath escapes and John reaches a hand up to unconsciously rub at his arm where they'd made previous contact. ]
Hell no, he wasn't. The guy was crazy rich an' he was born that way. His first car was a Lamborghini at fourteen. Course he wasn't. People like that got time to be more'n hobbyists.
I don't.
[ It's a lie. A bold-faced lie, in fact, even if Blake doesn't have the same support structure. At this point he's just hoping Davis doesn't have more dirt on him than just that. ]
no subject
[ Usually because Kate grew up with a silver spoon in her mouth too, but he doesn't imagine she got as good as she did because she had too much time on her hands. People like that need a real good reason.
People like Blake, though? He isn't so sure. His eyes narrow, but there's a funny sort of contentment to it, like he already knows something worth knowing. (Which isn't to say he actually does.) ]
What'd you do after you quit being a cop?
no subject
[ It's automatically — more so than it probably should be — but John's satisfied with the answer because it's legitimately the truth. He tries to shed some of the tension he's feeling but with a swimming head he's not doing the best job. ]
Workin' with kids. Orphans.
[ There's a much, much bigger picture but Blake neglects to fill in those details because that's exactly what this guy seems to want and hell if he's going to make it easy. ]
no subject
If you say so.
[ His eyes slide right, over the passing crowd of equally-naked bodies. Much as he might like to push a little harder, this isn't the time or the place. His weight settles onto his heels instead, opening up the space between them again. ]
Next time keep your memories to yourself, alright?
no subject
[ John waits until the other guy moves away completely to head for the showers.
Seriously, though, what a jerk. Blake still has no idea what's going on, what's happening with his memories and dreams, or why he feels so groggy, but he does know this meeting is out of place and he'll probably be thinking about it for quite some time. ]