axmods. (
ataraxites) wrote in
ataraxionlogs2015-08-09 04:33 am
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Entry tags:
- !arrival,
- ai enma,
- ailanne rei,
- allison argent,
- bail organa,
- captain hook (killian jones),
- carlisle longinmouth,
- charles xavier,
- chell,
- cora hale,
- death (discworld),
- death (sandman),
- derek hale,
- england (arthur kirkland),
- felix gaeta,
- fenris,
- firo prochainezo,
- granny weatherwax,
- harry potter,
- hoban "wash" washburne,
- ivan,
- jackson "jax" teller,
- jemma simmons,
- johanna mason,
- john mitchell,
- kate bishop,
- leonard "bones" mccoy (xi),
- max rockatansky,
- milagros gallo,
- nami,
- nill,
- raven darkholme,
- rebecca "newt" jorden,
- remus lupin,
- rey,
- rikku | au,
- selena kyle,
- sirius black,
- stiles stilinski,
- tadashi hamada,
- takeshi,
- taylor "tyke" kee,
- thomas,
- william tsang
THE CRASH
CHARACTERS: Any and all.
LOCATION: Medical and beyond.
WARNINGS: Violence, implied (and possibly explicit) nakedness.
SUMMARY: Arrival in the crashed Tranquility
LOCATION: Medical and beyond.
WARNINGS: Violence, implied (and possibly explicit) nakedness.
SUMMARY: Arrival in the crashed Tranquility
W E L C O M E You wake up, alone in the dark. There's a breathing tube jammed down your trachea, and you're suspended in a tube of clear blue fluid. Through the fog you can see shadows of movement, the muted sound of alarms crying. Upon registering your level of consciousness, the gravity couch drains the fluid surrounding you and retracts the breathing apparatus; the doors in front of you open, and you're suddenly dropped several feet onto the opposite wall. The impact is painful, winds you, and it takes several seconds to overcome and persuade uncooperative limbs to move. You barely have the time for it. All around you is chaos: the sirens of alarms are shrieking in your ears, drowning out the cries of confusion from the people awakening around you, trapped in their gravity couches or stumbling through the wreckage. Louder than that is a deep rumbling, coming from somewhere farther away, vibrating through the metal underneath you. It's hard to make out much of anything in the dim red light, but you catch sight of a sprawl of garbled black on your forearm and wonder-- Who are you? How did you get here? A drip lands on your cheek. Another. You look up as a flash of light illuminates a rend in the outer wall high above you, a steadily increasing fall of raindrops showering through. Another rumble rolls through the wreckage around you, and you pull weak, unsteady legs underneath you, rising to a shaky stand. M E D I C A L There's a shout, nearby, and your attention turns from the hole high in the wall to the room around you. Standing sideways, the smooth doors of gravity couches under your feet, fallen wreckage and debris making obstacles in your path. But there are others here, climbing through it as best they can, or trapped inside their gravity couches, injured, or worse. You step over the body of a man in a jumpsuit, venturing further into the gloom of red. The shout comes again. Someone might need your help. Or they might have answers about what happened here. ![]() O U T S I D E It takes all the strength you have to climb up through the fallen structural beams and hanging cabling, metal slipping wet beneath your fingers and feet. Eventually you emerge, and in another flash of bright light realise you stand on the shell of some colossal structure, the shadows of dense jungle all around you. The night sky above is a violent flux of colors, a dense, roiling tower of cloud crawling with lightning as if on fire, thunder booming again and again as the deluge pours down. In the brief flashes of light you start to notice figures, further away, scattered across the shell. Dressed in dark jumpsuits, their shouts are drowned out by the storm, but their struggles are evident; lashing out, grappling, fighting each other for their lives. There's a sound behind you, and as you turn one lunges towards you, a jagged shaft of metal in his hand. His eyes are wide, teeth bared, and as you stagger back he yells something, coming for you again: "You did this!" N O T E S |
Re: Laura, ota
She's not about to admit how little she knows about what's going on. Because she can't remember anything and that's not the sort of thing you admitted at her age. "Are ye hurt?"
no subject
And a sarcastic one.
"No, no, I don't think so. Confused, but I don't think I'm hurt." Her body seemed to be intact, at least. "Are you?"
no subject
SHe hesistates before accepting the robe. Is it enough of a situation? But she'll take it, the gesture seems sincere. "Gotta be more 'round here. Don't seem like the sorta place to just have one piece of clothes."
Though she has no idea what this room was for.
no subject
Now naked once more, Laura started sifting through wreckage, creeping through towards what appeared to be lockers. "No, I think you're right..." She gestured at the lockers.
no subject
"Musta been ready for us." The first piece of clothing she comes across clearly won't do. It would never fit. Because it's clearly sized for a child. "Well that's even more troublin'."
There are children here somewhere. And she's already certain this is no situation for them to be in.
no subject
"It'll be easy to see if there are any children if we're dressed."
no subject
Something still doesn't feel right about dressing like that, but it'll do for now. Proper clothing could wait. "Folk could be hurt worse'n brusises too."
no subject
"You're right- let's hope to the gods that they're all alright." Gods. Huh, apparently she was religious. And believed in a polytheistic religion. That was interesting. After pausing for a moment, she looks over at Esme. "I'm sorry- I should introduce myself, but I'm afraid I don't know who I am."
no subject
The word gods feels natural. As does not relying on them. Another thing about herself, perhaps.
no subject
"We'd be lucky if we only hit something."