axmods. (
ataraxites) wrote in
ataraxionlogs2015-01-08 12:01 am
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Entry tags:
- !jump,
- bellamy blake,
- benny lafitte,
- bethmora fortescue,
- bucky barnes,
- captain hook (killian jones),
- caroline forbes,
- charles xavier,
- cole,
- commander shepard,
- cora hale,
- cullen rutherford,
- derek hale,
- dick "robin" grayson,
- ellen ripley,
- eponine thenardier,
- firo prochainezo,
- harry potter,
- heather mason,
- ivan,
- jackson "jax" teller,
- jennifer keller,
- johanna mason,
- john blake | au,
- john mitchell,
- kieren walker,
- l "ryuuzaki" lawliet,
- leo fitz,
- levi,
- liara t'soni,
- marian hawke,
- marty mikalski,
- minho,
- mordin solus,
- netherlands,
- octavia blake,
- padme amidala,
- raven reyes,
- richard rider,
- rick grimes,
- river tam | au,
- sally malik,
- sam alexander,
- simon tam,
- sirius black,
- takeshi,
- taylor "tyke" kee,
- thomas
thirty-ninth jump;
CHARACTERS: Any and all.
LOCATION: Gravity Couches and beyond.
WARNINGS: Maybe some swearing, or even some violence, and more than likely some implied (and possibly explicit) nakedness.
SUMMARY: Another month, another jump, another round of new faces.
NOTES: A feeling of deep dread greets you as you stumble out of the gravcouch, strong enough to hold you still for a long moment, searching your surroundings for the source of your wariness. Nothing becomes apparent, only your fellow passengers waking up. Eventually you gather the resolve to pick yourself up and start moving, the feeling fading slowly as you progress through routine.
New arrivals will find messages spraypainted across their lockers telling them not to follow their tattoo numbers, and instead to find a room on Floors 001-010.
----------------
YOU͘ ̨WAKE̢ ̧UP ́IN DA̛RKN̢E̕SS̶
There's a breathing tube jammed down your trachea, and you're suspended in a tube of clear blue fluid. Upon registering your level of consciousness, the gravity couch drains the fluid surrounding you and retracts the breathing apparatus; the doors in front of you open, and you're deposited on the floor of a stark, sterile medical bay.
YÓU̴ ̧ĄRE NOT҉ ̷ALǪNE҉
There are others who have come before you, others who are awakening beside you. Some may be familiar to you, perhaps even friends. Others have much less amiable plans. Some are merely alien and inexplicable, but there are always those who might mean you harm.
After you catch your breath and your vision returns, you notice a number on the inside of your forearm. Maybe it's a familiar number. Maybe it means something. Maybe it's just a number. But the number—completely unique to you—is a tattoo, and it does not come off.
If you enter the room adjacent to the medbay, you will find a small locker with your number on it, surrounded by rows upon rows of identical lockers. Inside, you will find a few of your personal items, a communications device, and a ship's uniform in your exact size. The comms device is fully powered and connects directly to the ship's network; it's your only means of communication beyond physical conversation. Upon turning the device on, a neutral, automated voice will say, "Please take the blue lift to the passenger quarters." Any other attempts at communicating with the rest of the network are met only with static.
TH̀IS͜ ̶I͠S͡ ͘Y̵O͝UR ̕W͝E̛L̨C͡O͝M͏E P̛AR̴TY͜
LOCATION: Gravity Couches and beyond.
WARNINGS: Maybe some swearing, or even some violence, and more than likely some implied (and possibly explicit) nakedness.
SUMMARY: Another month, another jump, another round of new faces.
NOTES: A feeling of deep dread greets you as you stumble out of the gravcouch, strong enough to hold you still for a long moment, searching your surroundings for the source of your wariness. Nothing becomes apparent, only your fellow passengers waking up. Eventually you gather the resolve to pick yourself up and start moving, the feeling fading slowly as you progress through routine.
New arrivals will find messages spraypainted across their lockers telling them not to follow their tattoo numbers, and instead to find a room on Floors 001-010.
There's a breathing tube jammed down your trachea, and you're suspended in a tube of clear blue fluid. Upon registering your level of consciousness, the gravity couch drains the fluid surrounding you and retracts the breathing apparatus; the doors in front of you open, and you're deposited on the floor of a stark, sterile medical bay.
There are others who have come before you, others who are awakening beside you. Some may be familiar to you, perhaps even friends. Others have much less amiable plans. Some are merely alien and inexplicable, but there are always those who might mean you harm.
After you catch your breath and your vision returns, you notice a number on the inside of your forearm. Maybe it's a familiar number. Maybe it means something. Maybe it's just a number. But the number—completely unique to you—is a tattoo, and it does not come off.
If you enter the room adjacent to the medbay, you will find a small locker with your number on it, surrounded by rows upon rows of identical lockers. Inside, you will find a few of your personal items, a communications device, and a ship's uniform in your exact size. The comms device is fully powered and connects directly to the ship's network; it's your only means of communication beyond physical conversation. Upon turning the device on, a neutral, automated voice will say, "Please take the blue lift to the passenger quarters." Any other attempts at communicating with the rest of the network are met only with static.
no subject
[ After all, he'd pursued her this long. Emma watches him with a look crossing between genuine consideration, amusement, and appraisal. But it fades away as she settles back on the actual task at hand—disentangling herself from gooey romantics and getting to work. He knows her well enough by now to get that she's never been good at slowing down.
A quick, gentle kiss on the cheek promises patience, and she moves around him. ]
If you won't tell me what floor you're in, come by 008 later.
[ Is that for catch-up?? ?? Is it for what he's insinuating ?? ? He can just wonder. Maybe it'll get him to show up. ]
no subject
but more seriously he gives her a grin that implies he knows exactly what she means, and it isn't catch-up. He does let her go, though, apparently sticking to his story that he's incredibly busy — and the second she's out of sight, he pulls his comm from his pocket and dials Gold.
It's a good thirty minutes later that he's finally given up that particular ghost, but it's with a not insubstantial sense of relief that he arrives at her door. There's a short pause to rally his nerves, then he knocks. ]
no subject
We never programmed your nanites into that?
[ NoT BECAUSE SEX. But in general. It's not like he doesn't burst into her life with some reasonable regularity in general. Waving him in, she glances back out into the hall and closes the door behind him. ]
no subject
It isn't that he doesn't want to be honest. It's that he knows the truth will hurt her. There's a stillness to his movements as he turns around to face her, gaze downcast; when he meets her eyes, there's a heaviness to his expression that he doesn't bother trying to disguise. ]
We need to speak. It's about Rumplestiltskin.
[ The trip home, rather, but that's a better shorthand. ]
no subject
[ Warily, she folds her arms over her chest and shifts her weight. ]
Not my favorite subject, but I'll bite.
[ Her eyes flick over him, taking in his expression. Noticing something that leaves her uneasy, she uncrosses her arms, stepping forward and raising her hands to gently cup his face. ]
Killian? What's going on? [ Searching, but not accusatory. ]
no subject
It's always an exaggeration, the idea that you can feel someone's heartbeat. He still hopes the absence of his is conspicuous enough for her to notice. For some reason, that'd be easier than having to lay it out in words. ]
He's left the ship. [ May as well start with the good news. Killian attempts to inject some humor into the next part, but the delivery's lacking. ] But I'm afraid he's taken something of mine with him.
no subject
She recoils, pulling her hand back roughly away from his chest after he settles it there. Though she puts in some effort to make the gesture seem smooth and harmless, dropping her hand to her side to make it look like she just didn't want to hold it up, it's hard to mistake her discomfort. ]
Took what?
[ Keeping the suspicion out of her voice means fighting a constant battle, and she loses this one—her tone raises, somewhat defensive. ]
no subject
My— [ He stalls out, voice weak. The confession had been difficult, but that'd been entirely on him. Now all he can think of is Emma's pain as she'd listed off the people she's lost, his foolish promise that he wouldn't be next.
He doesn't want to see that look on her face again. But as much as he'd rather look away, he doesn't, sympathetic eyes steady on hers. ]
He took my heart.
[ It doesn't feel like enough. There should be more — a plan, some sort of comfort. But all there is is the knowledge that Gold's still in control back in Storybrooke, and Killian's days are numbered. There's no further explanation that won't simply make it worse. ]
no subject
Her hand closes into a fist, an instinctive gesture to stop herself from reaching out for his chest. Processing his words doesn't come easy: her eyes widen, her mouth drops open, and she flounders for words, surprise slackening her features. Surprise turns readily to fearful concern, though, as all the ramifications of that truly sink in. ]
Rumplestiltskin has your heart.
[ She repeats it for confirmation, taking one half-step back, away from him. ]
I don't understand. [ She raises a hand between them palm up, fingers splayed, hold on a minute. ] When did this happen? [ And then comes the defensiveness. She bristles, realizing fully what being without his heart means. How much wasn't real? ]
no subject
Since that night at the mansion. When he tried to... he was trying to take your power, Emma.
[ And that's where his restraint ends. Killian steps forward, just enough to try to place his hand on her cheek, give some sort of physical tether to keep her from withdrawing. ]
But he doesn't have it now. Not here. [ It isn't much of a victory. There's still a finality to it, and he tries to ignore the fact that it's a temporary reassurance. ] He's gone home.
no subject
[ A short, breathy huff of disbelief. Processing. Her eyes flicker across his face briefly, doing some quick math. Figuring out what's happened since then and what she feels about it. ]
And everything since then … Was that him? Was any of it even real? Has he just been using you to get my magic?
[ Predictably, the strain in her voice mounts with each iterative question, swelling with her distress. ]
What the hell does Gold want my magic for? What haven't you been telling me?!
this seems like good timing y/n
He plans to rid himself of the dagger's power over him. He needs magic to do it. I tried to tell you—
[ The next word doesn't come. Instead there's a sharp inhale of breath, hand drawing away from her quickly to clutch at his chest as he falls back a single step. The pain's quick, intense, then gone — it still leaves him gasping for air, chest heaving slowly, brow furrowed in confusion.
It shouldn't be possible. Gold's gone, can't possibly control him from Storybrooke, not when he's— his eyes abruptly gain focus, lifting to hers as realization hits. ] It's on the ship.
yyyyy
The movement is too familiar. The way his body tenses, the way he pulls his hands up to his chest, all of it. In a flash, she’s certain it’s too late. Hook was wrong: Gold is here: and she’s lost him already. The same thing happens every time she gets anywhere close to happiness; just when she thinks she might stand a chance at it, tragedy rips it from her hands.
Surging forward without a second thought, temper forgotten, Emma braces one hand against his arm, the other coming to rest against his chest, atop his hands. ]
Hook! [ Panic bubbles out of her throat before she can even consider what he’s said. Her eyes fix on his, searching, imploring him to be okay and to pull through this. She needs him. And it’s never been more clear. Something in her gaze softens out, putting her squarely back on his team out of practicality if nothing else. She’ll get the chance to harangue him for lying later. ] We need to find it.
also good time for bad jokes y/n
His breathing evens out quickly; more quickly than it might if she weren't here, offering support — and incentive to be better, cause her less worry. The small smile's to the same end, and even if it is a little weak, it isn't lacking for the usual charm. ]
I'll just put out an inquiry on the network, shall I? Missing heart. Red, glowing— incredibly striking, if a bit worn about the edges.
nNNNNNnnnN
[ It’s not as if Hook is without enemies: she has much too easy a time imagining that one of them may be holding it, and choose to crush it once they realize precisely what they have their hands on. Even if he has fewer here than in their world, she doesn’t care to take that risk. Not when his life is at stake.
Keeping one hand tangled with his at his chest, Emma moves her other hand to stroke the side of his face, tempered concern capturing her features: her intense gaze scrutinizes him, her lips tighten and press together, and slight creasing lines her forehead. ]
I’ll get SEC on it.