axmods. (
ataraxites) wrote in
ataraxionlogs2015-10-08 08:43 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
ARRIVAL ▒ 002
CHARACTERS: Any and all.
LOCATION: Basecamp, Medical and beyond.
WARNINGS: Implied (and possibly explicit) nakedness.
SUMMARY: The Tranquility jumps again.
NOTES: Can be found at the bottom of the post.
LOCATION: Basecamp, Medical and beyond.
WARNINGS: Implied (and possibly explicit) nakedness.
SUMMARY: The Tranquility jumps again.
NOTES: Can be found at the bottom of the post.
T H E C A M P ( C U R R E N T C H A R A C T E R S ) Clouds have rolled in, obscuring the high noon in grey shadow when the alarms start. Wailing through the air, not as keenly as it had when base camp still huddled in its shadow, but still loud enough to turn heads and give people pause. It sends a shiver of nervous energy throughout camp. They were out of range the last time, and there is no sudden scrambling attempt at retreat, but the crowd does begin to thin. Some pick up and go, just to put distance between themselves and the inevitable, because you never know. Others stay behind, for whatever that reason might be. Those who were closer towards the ship emerge from the treeline in a hurry. It's ten hours later when it happens. A tremble in the earth, shaking up through the trees, sending the jungle's wildlife into distressed flocks of movement and alarmed cries. Under the shrouded sun the wreck of the Tranquility begins to cord with lines of white light, threading across the hull like veins, some patches remaining dark, standing out against the vision like splotches burnt to the back of the eyelids. There's no great sound. In an instant, the ship is gone, a soft whomp, a feeling of air rushing past, the trees bending towards the site as if blown by a fierce wind. It's only a second. With a crack, the wreck returns, a rumble rolling through the air like thunder. The earth shakes. The trees tremble. The ship groans, the sound echoing out like the cry of a wounded beast. The jump has passed. Before search and rescue can gather and see for themselves if anyone new was dragged from their homes, something strange happens. A gas mask, old fashioned and heavy, round-eyed, with a filter like a muzzle at the mouth, lands in the packed earth at someone's feet. With a clatter of plastic and metal, something that was once a radio receiver apparently plummets from the air, shattering on impact when it strikes the metal framework of a communal tent, and another lands in softer earth, intact. Tin cans of food, earthenware bottles of water, candles wrapped in paper and tied in string, a box of matches, a set of well-used playing cards with roughed up corners, a rough woollen blanket, a pillow, a gas lamp all hit the ground throughout camp, or are discovered in the jungle beyond. This unusual rain of items ceases, hardly a minute after it has begun. M E D I C A L ( N E W A R R I V A L S ) You wake up, alone in the dark. There's a breathing tube jammed down your trachea, and you're suspended in a tube of clear blue fluid. Through the fog you can see shadows of movement, the muted sound of alarms crying. Upon registering your level of consciousness, the gravity couch drains the fluid surrounding you and retracts the breathing apparatus; the doors in front of you open, and you're suddenly dropped several feet onto the opposite wall. The impact is painful, winds you, and it takes several seconds to overcome and persuade uncooperative limbs to move. All around you is chaos: the sirens of alarms are shrieking in your ears, close and claustrophic in the wreckage of the medical bay you've awoken in, lit dim and red. Around you, others are waking up, falling from other gravcouches, stumbling to their feet. Light catches your eye, and you look up to see a huge rend in the outer wall high above you, overhung by broken structural beams and damaged cabling. Climbing up takes all the strength you have. You emerge in bleak, grey sunlight, surrounded by an immense, vast jungle. As your vision clears, you realize you stand on the hull of a colossal spaceship, crashed on an unknown world, two moons hanging heavy in the sky above. In the distance, far out on a great swathe of torn up earth through the jungle are a clustered crowd of figures, moving towards the wreck. Your welcome party, but are they friend or foe? N O T E S |
no subject
"Not much, to answer you question. When we first crashed my instinct was to run off, and that kept me away from people long enough for my memory to filter back in." He sounds more tired than on edge, though she knows enough about vampires to guess he's both.
In many ways, her reaction to him strikes him as saner than Charles'. That doesn't mean he needs to piss her off further.
no subject
And it is for his sake, and not Ivan's, that she handles this with the pretense that she thinks Ivan should have a choice in anything that happens to him going forward.
"Describe to me your current state."
...not much of a choice.
no subject
"On edge, but my control's firmer than it was a few months back." When Enfys dragged him into xenobio, yes. "I ran up against the boundary on how far one can go from the crash site, but that doesn't seem to have caused any lasting damage." At least that he can tell. The ongoing headaches are annoying, but not to do with his blood addiction.
no subject
At length, she says, "I am able to provide you with a blood source that should be more - suitable to your needs." He does not imagine the way her lip curls when she says your needs; she's restrained, but barely, and the contempt she has for his entire species is no small thing. "I'll show you where I live, and I expect you to present yourself when you have a need."
She is confident in her ability to handle him if he should come to that place she lives with an intention of doing anything but meekly accepting what he's given. The set of her jaw doesn't suggest it would be wise to test that theory.
She waits for agreement; doesn't waste her breath on threats about what she'll do to him if he crosses the line.
Cross it. Give her an excuse. She'd love it.
no subject
She doesn't need to threaten him; similarly, he doesn't feel the need to spell out for her the fact that he would have never elected to be shut up in a spaceship and then marooned in an alien jungle. He supposes death isn't in the habit of consulting one.
no subject
(This is the problem with having friends and professional ethics.)
"I will show you the way."
When she spins on her heel, she presumes he will follow her, and that he's too calculating to try anything. If she's obliged to quash any disappointment at the thought, well, that's between her and whatever god she feels so inclined towards.
no subject
Instead, he just follows obediently and silently. Neither of them want this, but it's a resource he'd rather not lose.
no subject
It will come as little surprise she prefers that.
"If you need sustenance dealt with sooner rather than later, it'll be a few hours."
no subject
They can continue playing at polite through gritted teeth, her for a friend's sake, him for practicality's. It's a truce neither of them relishes, quite obviously, but it will last for now.
no subject
The hint of sharpness is just that - only a hint. But the suggestion it carries with it is blunt: he ought not cut it too fine, and if he does it out of courtesy, she will actually scream.
no subject