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ataraxionlogs2015-06-08 12:00 am
ataraxites) wrote in ataraxionlogs2015-06-08 12:00 am
Entry tags:
- !jump,
- ai enma,
- ailanne rei,
- allison argent,
- bail organa,
- brigid tenenbaum,
- captain hook (killian jones),
- cora hale,
- daryl dixon,
- death (discworld),
- death (sandman),
- derek hale,
- eleanor lamb,
- elizabeth,
- enfys llewelyn,
- fenris,
- firo prochainezo,
- garrett hawke,
- grant ward,
- hermione granger,
- ivan,
- jackson "jax" teller,
- karone,
- laura roslin,
- lee "apollo" adama,
- leo fitz,
- leonard "bones" mccoy (xi),
- maes hughes,
- max rockatansky,
- minho,
- nami,
- robin,
- scott mccall,
- skye,
- tadashi hamada,
- takeshi,
- taylor "tyke" kee,
- thomas
forty-fourth jump;
CHARACTERS: Any and all.
LOCATION: Gravity Couches and beyond.
WARNINGS: Maybe some swearing, or even some violence, and more than likely some implied (and possibly explicit) nakedness.
SUMMARY: Another month, another jump, another round of new faces.
NOTES: Awareness comes to you slowly in the smothering quiet of the blue fluid. In the light piercing through from the medical bay you realise there's a shadow, a figure stood at the glass of your gravcouch, a hand pressed to the surface just above your face. Fear spikes through your gut as waves of alien sensation crash into your mind, a rage that feels endless, all-consuming, furious, molten hatred that you know is for you.
When the fluid drains, door sliding open to deposit you on the medbay floor, you remember it. Remember it coming again and again, like a nightmare that plagued your sleep over and over, leaving you with no respite, no rest. Days. Perhaps even longer.
You remember that the light coming through from behind the shadow was red.
New arrivals will find messages spray-painted in red across their lockers telling them not to follow their tattoo numbers, and instead to find a room on Floors 001-010.
----------------
ＹＯＵ͘ ̨ＷＡＫＥ̢ ̧ＵＰ ́ＩＮ ＤＡ̛ＲＫＮ̢Ｅ̕ＳＳ̶
There's a breathing tube jammed down your trachea, and you're suspended in a tube of clear blue fluid. Upon registering your level of consciousness, the gravity couch drains the fluid surrounding you and retracts the breathing apparatus; the doors in front of you open, and you're deposited on the floor of a stark, sterile medical bay.
ＹＯ́Ｕ̴ ̧Ａ̨ＲＥ ＮＯＴ҉ ̷ＡＬＯ̨ＮＥ҉
There are others who have come before you, others who are awakening beside you. Some may be familiar to you, perhaps even friends. Others have much less amiable plans. Some are merely alien and inexplicable, but there are always those who might mean you harm.
After you catch your breath and your vision returns, you notice a number on the inside of your forearm. Maybe it's a familiar number. Maybe it means something. Maybe it's just a number. But the number—completely unique to you—is a tattoo, and it does not come off.
If you enter the room adjacent to the medbay, you will find a small locker with your number on it, surrounded by rows upon rows of identical lockers. Inside, you will find a few of your personal items, a communications device, and a ship's uniform in your exact size. The comms device is fully powered and connects directly to the ship's network; it's your only means of communication beyond physical conversation. Upon turning the device on, a neutral, automated voice will say, "Please take the blue lift to the passenger quarters." Any other attempts at communicating with the rest of the network are met only with static.
ＴＨ̀ＩＳ͜ ̶Ｉ͠Ｓ͡ ͘Ｙ̵Ｏ͝ＵＲ ̕Ｗ͝Ｅ̛Ｌ̨Ｃ͡Ｏ͝Ｍ͏Ｅ Ｐ̛ＡＲ̴ＴＹ͜
LOCATION: Gravity Couches and beyond.
WARNINGS: Maybe some swearing, or even some violence, and more than likely some implied (and possibly explicit) nakedness.
SUMMARY: Another month, another jump, another round of new faces.
NOTES: Awareness comes to you slowly in the smothering quiet of the blue fluid. In the light piercing through from the medical bay you realise there's a shadow, a figure stood at the glass of your gravcouch, a hand pressed to the surface just above your face. Fear spikes through your gut as waves of alien sensation crash into your mind, a rage that feels endless, all-consuming, furious, molten hatred that you know is for you.
When the fluid drains, door sliding open to deposit you on the medbay floor, you remember it. Remember it coming again and again, like a nightmare that plagued your sleep over and over, leaving you with no respite, no rest. Days. Perhaps even longer.
You remember that the light coming through from behind the shadow was red.
New arrivals will find messages spray-painted in red across their lockers telling them not to follow their tattoo numbers, and instead to find a room on Floors 001-010.
There's a breathing tube jammed down your trachea, and you're suspended in a tube of clear blue fluid. Upon registering your level of consciousness, the gravity couch drains the fluid surrounding you and retracts the breathing apparatus; the doors in front of you open, and you're deposited on the floor of a stark, sterile medical bay.
There are others who have come before you, others who are awakening beside you. Some may be familiar to you, perhaps even friends. Others have much less amiable plans. Some are merely alien and inexplicable, but there are always those who might mean you harm.
After you catch your breath and your vision returns, you notice a number on the inside of your forearm. Maybe it's a familiar number. Maybe it means something. Maybe it's just a number. But the number—completely unique to you—is a tattoo, and it does not come off.
If you enter the room adjacent to the medbay, you will find a small locker with your number on it, surrounded by rows upon rows of identical lockers. Inside, you will find a few of your personal items, a communications device, and a ship's uniform in your exact size. The comms device is fully powered and connects directly to the ship's network; it's your only means of communication beyond physical conversation. Upon turning the device on, a neutral, automated voice will say, "Please take the blue lift to the passenger quarters." Any other attempts at communicating with the rest of the network are met only with static.
no subject
She can be taught on the art of making pit traps.
[NAMI NO STOP ENABLING HIS BEHAVIOR]
no subject
Teach her how to use a big stick, too.
no subject
I knew I could count on you, ma'am. You seemed sensible!
[I HAVE AN EYE FOR SENSIBILITY.]
At any rate.... welcome aboard?
no subject
Where'd you come from?
no subject
But Amestris is the shorter name for it.
[Have you heard of it. No? Okay.]
no subject
[She really doubts they come from the same place, but it's not like Nami knows the name of every place in her world.]
no subject
[............. yeah the FMA world is mysteriously absent of oceans
i don't know, nami, i just don't know]
Why, are you an ocean-faring sort, yourself?
no subject
[She slouches a little more against her locker.]
I was meant to be going home.
[And instead I turn up here. Life sucks.]
no subject
...
...
A pirate, though.
no subject
[Ugh. Hughes at least registers as harmless, so she shrugs and gives him a cheeky smile at that last part.]
I sail around and find treasure and everything.
no subject
[He doesn't seem very phased by being near said pirate, though.]
no subject
My crew don't attack people unless they deserve it, if that helps.
[...if they bought the last meat at the market or something. Or Sanji hears a stranger insult a girl. Or-- look, those are not piratical doings okay, they're just my-crew-are-idiots doings.]
no subject
It's good to know you're not planning on lunging at me at this very moment.
[HAR HAR HARDY HAR]
no subject
[Or your Elicia photos skip past a certain line of tolerance.]
no subject
[CLEARLY SO SERIOUS]
So you go out to find treasures; how's that working for you?
no subject
I'm a pirate. We're good at finding treasure! [Holding onto it, not so much. You can blame Luffy and his ambush expensive parties for that one. Ugh. She misses him.] Though I've been studying the last couple years, so I haven't had much of a chance.
no subject
[He rubs his chin. COLOR HIM INTERESTED.]
In what?
no subject
[She grins, a little proudly. Maybe a little cheekily.] And how to put it to terrible use.
no subject
[PLS SAY MORE
BECAUSE WHAT does that even entail.]
no subject
[Hot luxurious showers that people rudely stumble into. That kind of thing.]
no subject
Sounds like you really do a lot of good, then.
For a pirate.
no subject
I only just learnt all that stuff. I'll have to get back to you on how much good it does.
[Though she has distinct suspicion she's not gonna use it for much more than wiping the floor with bad guys. That's still doing a lot of good, right? For select people.]