John Blake (
learnedtosmile) wrote in
ataraxionlogs2013-02-07 08:59 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
- !jump,
- agent york,
- alex shepherd,
- alex summers | au,
- am,
- anakin skywalker,
- ariadne,
- arthur pendragon,
- bela talbot,
- beleth "bells",
- bennett halverson,
- bilbo baggins,
- brendan frye,
- caroline forbes,
- castiel,
- charlotte "chuck" charles,
- cid harrington,
- cillian quinn,
- clint barton (1610),
- corvo attano,
- dean winchester,
- debra morgan,
- derek hale,
- donna paulsen,
- dr claire saunders (whiskey),
- elena gilbert,
- epsilon,
- equius zahhak,
- eric northman,
- eric owens,
- fili,
- francis barton,
- frodo baggins,
- greg spector,
- hana morenos,
- harry osborn,
- heather mason,
- isaac lahey,
- jack harkness,
- james moriarty,
- james t. kirk (xi),
- jo harvelle,
- john baum connor,
- john blake,
- john egbert,
- jon snow,
- jonathan crane,
- josias st. john,
- kate argent,
- kaylee frye,
- kazama souji,
- kili,
- laughing beauty,
- leonard church (alpha),
- lilith,
- loriel "lor",
- manfred von karma,
- marian hawke,
- meg,
- merlin,
- michelino "mikelo" constance,
- michelle cheung,
- mordecai,
- murphy pendleton,
- netherlands,
- nill,
- nora montgomery,
- nyreen kandros,
- obi-wan kenobi,
- percy jackson,
- peter pevensie,
- quinlan vos,
- rachel zane,
- red scout,
- richard harrow,
- rory williams,
- ruby lucas,
- ryan newman,
- sam winchester,
- sawyer "soysauce" sciarrino,
- sebastian moran (d'urbervilles),
- september,
- sheriff stilinski,
- stefan salvatore,
- stiles stilinski,
- susan pevensie,
- tate langdon,
- taylor "tyke" kee,
- the warden (daylen amell),
- thranduil,
- tobias,
- tom mcnair,
- tony stark (1610),
- vernon milton boyd iv,
- wheatley,
- zevran arainai
15th jump;
CHARACTERS: any and all
LOCATION: Gravity Couches and beyond
WARNINGS: maybe some swearing, or even some violence, and more than likely some implied (and possibly explicit) nakedness.
SUMMARY: Another month, another jump, another round of new faces.
NOTES: Keeping up with the tradition and copy pasted like always from the last one
You wake up in darkness.
There's a breathing tube jammed down your trachea, and you're suspended in a tube of clear blue fluid. Upon registering your level of consciousness, the gravity couch drains the fluid surrounding you and retracts the breathing apparatus; the doors in front of you open, and you're deposited on the floor of a stark, sterile medical bay.
You are not alone.
There are others who have come before you, others who are awakening beside you. Some may be familiar to you, perhaps even friends. Others have much less amiable plans. Some are merely alien and inexplicable, but there are always those who might mean you harm.
After you catch your breath and your vision returns, you notice a number on the inside of your forearm. Maybe it's a familiar number. Maybe it means something. Maybe it's just a number. But the number—completely unique to you—is a tattoo, and it does not come off.
If you enter the room adjacent to the medbay, you will find a small locker with your number on it, surrounded by rows upon rows of identical lockers. Inside, you will find a few of your personal items, a communications device, and a ship's uniform in your exact size. The comms device is fully powered and connects directly to the ship's network; it's your only means of communication beyond physical conversation. Upon turning the device on, a neutral, automated voice will say, "Please take the blue lift to the passenger quarters." Any other attempts at communicating with the rest of the network are met only with static.
This is your welcome party.
LOCATION: Gravity Couches and beyond
WARNINGS: maybe some swearing, or even some violence, and more than likely some implied (and possibly explicit) nakedness.
SUMMARY: Another month, another jump, another round of new faces.
NOTES: Keeping up with the tradition and copy pasted like always from the last one
There's a breathing tube jammed down your trachea, and you're suspended in a tube of clear blue fluid. Upon registering your level of consciousness, the gravity couch drains the fluid surrounding you and retracts the breathing apparatus; the doors in front of you open, and you're deposited on the floor of a stark, sterile medical bay.
There are others who have come before you, others who are awakening beside you. Some may be familiar to you, perhaps even friends. Others have much less amiable plans. Some are merely alien and inexplicable, but there are always those who might mean you harm.
After you catch your breath and your vision returns, you notice a number on the inside of your forearm. Maybe it's a familiar number. Maybe it means something. Maybe it's just a number. But the number—completely unique to you—is a tattoo, and it does not come off.
If you enter the room adjacent to the medbay, you will find a small locker with your number on it, surrounded by rows upon rows of identical lockers. Inside, you will find a few of your personal items, a communications device, and a ship's uniform in your exact size. The comms device is fully powered and connects directly to the ship's network; it's your only means of communication beyond physical conversation. Upon turning the device on, a neutral, automated voice will say, "Please take the blue lift to the passenger quarters." Any other attempts at communicating with the rest of the network are met only with static.
Scarecrow | prose or action!
It's been there the whole time, of course. Not mocking him or anything, merely existing--merely sitting there, along with the empty case he worked so hard to fill that long, long time ago. He needs to send Tate for some supplies eventually, if the teen says yes.
For now, he merely straightens his tie and keeps his gaze on it. A ballpeen hammer that had meant so much such a short time ago. ]
..Death...or Exile?
this cannot possibly end badly
The man speaks and she raises a little bit of an eyebrow. The fear toxin had been her first jump, but the fact that they'd had a suspect hadn't meant much to her, as she hadn't known who the man was -- couldn't even remember if they'd given his name or his number. So instead of ignoring him, which might be the smart idea, Jaye just idly responds. ]
Oxygen Gardens, actually.
nope not at all all fine
His face twists into a small smile as he takes the hammer out. Holds it in his hand and resists the urge to bang it along the wall. Shout something like 'order!'
Small man on a big, big desk. ]
With your pets?
no subject
Somehow I think the neighbors would bitch if I left them next door.
[ Which is less of a concern for her than the comfort of her animals is, to be quite honest. ]
no subject
[ Ignore the hammer, Crane. Just slip it into your pocket. Pretend nothing's wrong. Calm down. ]
no subject
[ Not that the chickens are with her, but he should be able to infer. ]
Turns out so do a lot of other people on the ship.
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
Tate isn't sure what that means, because he knows something's been off since he came back. he doesn't know what happened to him back in Gotham, what's made him lose some of his filter, but it's made him pliable and needy, always wanting. he hasn't been around as much as he could have been, but he's had other things on his mind.
Hayden, for one.
still, he stops in, abruptly at Crane's shoulder.]
I don't think it bites.
no subject
Being snuck up on scares him. Tate, he knows, knows this. In that way it's a familiar greeting. He looks down at the hammer. Holds it up. ]
I don't think I ever told you how much I could have used you back in Gotham.
no subject
[he asks, and he doesn't look at the hammer, just at Crane's face.]
no subject
And I was there. I was there and a part of the grand scheme of things. [ He's shaking, now. Doesn't realize it, but he's excited. ]
no subject
I'm sorry I missed it.
no subject
(no subject)
(no subject)
no subject
What's eggs-ile?
no subject
It means you'll get sent away to a very bad place.
no subject
[ The second word has more weight. "Away" means little to a painting born in an abstract dimension full of evil artwork. "Alone," though. Mary knows what being alone means very well. ]
no subject
no subject
hope this is okay?!
because soysauce -- is so sure that the person over there seems familiar. but not someone he's seen in a while. someone that he's spoken to before, but hasn't been on the ship for a while. that's -- ]
Ah! Doctor Crane!
[ immediately, soysauce trots over to where crane is, giving a chipper little smile. like an excitable dog. ] You're back on the ship once more? I hadn't realized!
SOYAUCE screech yes i love this tradition
You haven't bumped into me. [ He sounds almost surprised, looking confused. He recognizes the other fully, now, instead of 'that annoying brat'. ]
It seems this ship has deemed it appropriate to bring me here again, yes.
no subject
I haven't! Suppose I've learned a few things over the past few jumps.
Still! I know it's always unpleasant returning here, but -- it's good to see you safe again, sir! [ there's something disgustingly sincere about the way he beams at scarecrow. ]
no subject
More than safe--sound, as well. Though I'm beginning to think this ship was going to be the end of me.
no subject
Well, if there's anything I could do to help get used to this strange place once more, please let me know?
no subject
Thank you. I'll certainly keep it in mind.
(no subject)
(no subject)