axmods. (
ataraxites) wrote in
ataraxionlogs2014-02-07 09:55 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
- !jump,
- abed nadir,
- abigail mills,
- agent washington,
- ai enma,
- alaric saltzman,
- alayne stone,
- alex summers | au,
- arthur pendragon,
- arya stark,
- bahorel,
- bucky barnes,
- captain hook (killian jones),
- carolyn fry,
- cassandra anderson,
- castiel,
- charles xavier,
- charlie bradbury,
- claire bennet,
- clint barton (1610),
- cora hale,
- courfeyrac,
- dana polk,
- dean winchester,
- elena gilbert,
- elizabeth of york,
- elizabeth woodville,
- emma swan,
- eric northman,
- faith lehane,
- fili,
- frodo baggins,
- gendry,
- harry lockhart,
- harry potter,
- ilde featherstonehaugh,
- isaac clarke,
- jack harkness,
- jaina solo,
- jean prouvaire,
- jenna sommers,
- juliana,
- leonard "bones" mccoy (xi),
- loki laufeyson,
- luke skywalker,
- lydia martin,
- lúthien,
- marty mikalski,
- master chief,
- melinda may,
- mr. gold (rumplestiltskin),
- nathan petrelli,
- ned | au,
- netherlands,
- nico di angelo,
- nill,
- nuala,
- peeta mellark,
- peter petrelli,
- pietro maximoff,
- rebecca crane,
- red scout,
- rick grimes,
- sam winchester,
- sapphire,
- seraphim dias,
- severus snape,
- sirius black,
- spike,
- stefan salvatore,
- stiles stilinski,
- takeshi,
- tara knowles,
- tauriel,
- veronica mars,
- wichita,
- will graham,
- yuri petrov
twenty-eighth jump;
CHARACTERS: Any and all.
LOCATION: Gravity Couches and beyond.
WARNINGS: Maybe some swearing, or even some violence, and more than likely some implied (and possibly explicit) nakedness.
SUMMARY: Another month, another jump, another round of new faces.
NOTES: It could just be the standard sensation of air on wet skin, but if you bother to check, you might notice the steam rising from your body, barely there and gone within a minute. By the time you get to the showers, it will be clear that it's not just taking you time to adjust. The room is cold — colder than usual, but no worse than the last jump. While it's nothing dangerous, it's certainly motivation to hurry through the usual routine and get dressed quickly.
It's getting closer.

YOUR EYES ARE OPEN.
KEEP LOOKING.
You wake up in darkness.
There's a breathing tube jammed down your trachea, and you're suspended in a tube of clear blue fluid. Upon registering your level of consciousness, the gravity couch drains the fluid surrounding you and retracts the breathing apparatus; the doors in front of you open, and you're deposited on the floor of a stark, sterile medical bay.
You are not alone.
There are others who have come before you, others who are awakening beside you. Some may be familiar to you, perhaps even friends. Others have much less amiable plans. Some are merely alien and inexplicable, but there are always those who might mean you harm.
After you catch your breath and your vision returns, you notice a number on the inside of your forearm. Maybe it's a familiar number. Maybe it means something. Maybe it's just a number. But the number—completely unique to you—is a tattoo, and it does not come off.
If you enter the room adjacent to the medbay, you will find a small locker with your number on it, surrounded by rows upon rows of identical lockers. Inside, you will find a few of your personal items, a communications device, and a ship's uniform in your exact size. The comms device is fully powered and connects directly to the ship's network; it's your only means of communication beyond physical conversation. Upon turning the device on, a neutral, automated voice will say, "Please take the blue lift to the passenger quarters." Any other attempts at communicating with the rest of the network are met only with static.
This is your welcome party.
LOCATION: Gravity Couches and beyond.
WARNINGS: Maybe some swearing, or even some violence, and more than likely some implied (and possibly explicit) nakedness.
SUMMARY: Another month, another jump, another round of new faces.
NOTES: It could just be the standard sensation of air on wet skin, but if you bother to check, you might notice the steam rising from your body, barely there and gone within a minute. By the time you get to the showers, it will be clear that it's not just taking you time to adjust. The room is cold — colder than usual, but no worse than the last jump. While it's nothing dangerous, it's certainly motivation to hurry through the usual routine and get dressed quickly.

YOUR EYES ARE OPEN.
KEEP LOOKING.
There's a breathing tube jammed down your trachea, and you're suspended in a tube of clear blue fluid. Upon registering your level of consciousness, the gravity couch drains the fluid surrounding you and retracts the breathing apparatus; the doors in front of you open, and you're deposited on the floor of a stark, sterile medical bay.
There are others who have come before you, others who are awakening beside you. Some may be familiar to you, perhaps even friends. Others have much less amiable plans. Some are merely alien and inexplicable, but there are always those who might mean you harm.
After you catch your breath and your vision returns, you notice a number on the inside of your forearm. Maybe it's a familiar number. Maybe it means something. Maybe it's just a number. But the number—completely unique to you—is a tattoo, and it does not come off.
If you enter the room adjacent to the medbay, you will find a small locker with your number on it, surrounded by rows upon rows of identical lockers. Inside, you will find a few of your personal items, a communications device, and a ship's uniform in your exact size. The comms device is fully powered and connects directly to the ship's network; it's your only means of communication beyond physical conversation. Upon turning the device on, a neutral, automated voice will say, "Please take the blue lift to the passenger quarters." Any other attempts at communicating with the rest of the network are met only with static.
GRANT WARD ( so very open )
LOCKERS
hahaha i meant pods.
—oh my god!
[ Quick, Veronica, put your hands over your eyes to protect your mythical (ha) virginity (double ha). ]
Do you— clothes?
[ A beat. Her fingers open, just a little, and only from the waist up because, you know, space crazies. ]
Are you Ryan Gosling's body double?
[ That's a good question, right. ]
chinhands!!
except the person he encounters isn't hostile, or if she is, she's the least aggressive hostile he's met in all of his career with shield. covering her eyes and babbling about clothes of all things?
no, veronica, asking him if he's ryan gosling's body double is not a good question right now. ]
No.
[ that answers both her questions, actually. ]
no subject
Veronica kind of— takes a step back, lowers her hand but hovers it right below his chest. At least trying to have some kind of normal conversation might help. ]
So do you always stroll around in The Empire Strikes Back buck-ass naked, or should I continue being terrified?
[ Experiences with military personnel: not actually pleasant, historically speaking. ]
no subject
( part of him wishes there was an immediate threat because it would make this easier; the world is rarely so black-and-white, but ward deals best with those obstacles that he can hit, fight, beat. ) ]
What are you talking about? [ and, seeing how she is apparently the talky-talk kind of person: ] Where is this?
no subject
(She's never met someone who looks so serious while pulling full-frontal in her whole entire life.
Which is still terrifying, in a round about way.) ]
You're on the Tranquility. It's a space ship, and we're in space — there are windows down in the bay — and we're all. Around. What you experienced was a jump, and then there's other, metaphysical—
[ A beat. ]
Sorry, I have obviously not watched enough Star Trek for this explanation.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
ᴘᴏᴅs
it's because newbies are suckers, and at some point he was a newbie. how many jumps has it been since he came here? too many, that's the answer, and yet he feels like he's learned nothing. absolutely not a damned thing. leia gone (someone whom he actually loves), and yet the ship remains.]
Argh, buddy. Do you wanna hurry up and get to the showers, or is this first time you've woken up naked and covered in goo?
[for han, that is also something that has happened far too many times for him to appreciate.]
Move along, go shower and go to your locker and get out of the damn way.
[han solo is confident enough to be scowling at someone while he's naked.]
no subject
more important than that annoyance, though, are the implications of his words. apparently, this is not an unusual occurence for the man. apparently, people wake up naked and covered in goo regularly and repeatedly. apparently, there are showers and lockers, and ward wonders for a moment if there may be weapons — but no, which kidnapper would be stupid enough to supply him with weapons?
so instead he glares at han. ]
Is this centipede's doing?
[ he doesn't think it is; centipede wouldn't be as stupid as to let him walk around freely. centipede may be many things, but stupid is certainly not among them. ]
no subject
he can't help it, his eyes squeeze shut as if he's trying to process what the hell just came out of the other guy's mouth.]
One, what the hell is a centipede and two, you sort of wish it was because then it would be normal and not a mind bend. Welcome to the Tranquility, it's going to be terrible now move along.
no subject
The Tranquility?
[ ward isn't feeling particularly tranquil. nor is he feeling inclined to "move along" and to get out of han's way just yet. he doesn't bother telling han that nothing about centipede is normal. ]
no subject
he hates that he'll never ever not feel this way about them because he knows that if he doesn't wake up in goo, he'll wake up dead (or so he thinks).]
Yeah, the Tranquility. What I just said. Do you need directions to medical or do you want to keep repeating things at me?
[10.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
lockers | i'm so sorry cries...
It all seems to check out alright.
He's a man who has to duck down too low to search the locker for one last piece (his helmet) that he can't seem to find. Broad in the shoulder, obviously a little big even for the apparently standard-issue crew uniform, he pulls back and for the first time his brow draws a little.
Where the hell is that helmet?
(Somewhere on the floor where Cortana put it, but it really isn't clicking to John since she simply picked up one of his thigh plates casually and walked away with it.) ]
Where...
cackles
so he watches for a moment. at first, his eyes are on the rifle more than on the man, but then he takes in size and height and finds himself almost impressed despite himself. height and weight aren't everything, though — he should know. may is faster than he is and it gives her an advantage despite her much smaller frame.
it doesn't take him long to figure it out. ]
On the floor.
he can't be left alone /sigh
Helmet. Check.
It's dinted in the visor, which is a bright orange color, and it's seen more starstuff than anything in truth. ]
Appreciated.
[ He glances now at the other's hands, a pair of handguns (a gun is a gun, just depends on whose hands they're in. He looks like he knows his way with them). The look he gives him afterwards, could be called unnerving, but maybe it's just the eyes that make it so, startlingly bright and clear. Sharp. ]
Surprised they left us what they did.
[ It's an observation, maybe to himself, maybe to the both of them. He'll dig a little. ]
they can be helpless badasses together
this isn't centipede's doing, this is something else entirely.
hostile, but not in the way he'd initially assumed.
the look is returned evenly, his eyebrows wandering up. ] If what they say is true, the rifle is going to be of no more use than my guns.
[ while they could shoot up the ship, damaging it to die in the vacuum of space isn't a great alternative. ]
y e s
[ Guns have alternative uses. John's found a million and one different ways to use an MA5D, and good amount of them don't involve putting a finger near the trigger.
Leaving them in possession of their weapons, however, does seem strange. Hell, being left with his armor is even stranger. Why give a man such strength? So that they might be called generous? No, John doesn't believe they're after gratitude. ]
What did they say?
[ And who are "they"? ]
vibrates gently with excitement
i'm sorry he's such a shit 8(!
i love it
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
lockers. the most dramatic tag ever, i'm so sorry.
But he just -- turns a corner, out of nowhere, and keeps walking right past Ward, brushing past him as he does so. He doesn't know the man, though the man might just recognize him.]
lockers. screeches!! also i'm sorry this is so late
he's on edge and he's alert — there is no way he would have missed loki walking past him. the lack of recognition doesn't shock him; he wasn't there during the battle of new york. lack of recognition on loki's side doesn't mean lack of recognition on ward's side and he grips his guns tightly for a long moment and then — follows.
it helps to know your enemy. and unknown territory or not, loki is most certainly an enemy. ]
no worries, there's no hurry!
He doesn't look back. This continues for a minute or two before he turns another corner.
And mysteriously... disappears(?).]
<3
ward doesn't let his guard down, doesn't stop to look around and make a target out of himself in case this is an ambush. he keeps walking, hand on one of the guns. ]
no subject
Is there a particular reason that you're following me?
[His tone is undeniably patronizing.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
( post-lockers )
At the lockers, she changes into her gym clothes, which means she's not much less cold than she was in a towel. It isn't enough coverage for the temperature, but she's expecting to make good time to someplace warmer.
Ward, outfitted in tac gear and combat-ready, is an unexpected sight enroute to the lift. His posture is closed and unrevealing, but she's assuming alertness, looking for those subtle physical indicators. She thinks better of using his name. She falls into step beside him and relies on his awareness of his surroundings to do the rest.]
Can't say I'm glad to see you.
[For all that she believes he'll increase their chances of resolving this situation—taking control of the ship, or otherwise getting everyone back where they belong—she doesn't want this for him. She wouldn't underestimate him as an asset, but neither of them were trained for this. Judging from what she's seen and heard since the last jump, her arrival, she wouldn't wish this ship on anyone.
It's largely because of Ward that she hasn't been concerned about the rest of the team. She knew he'd take care of them, no matter how long she was gone. Knowing that both of them are here now, there's a part of her that just got a lot more concerned about the vacancies left on the Bus.
She doesn't ask if he's okay, if the disorientation is subsiding, but she gives him that kind of look: support, should he need it, rounded out by her awareness that he probably won't. She doesn't expect him to lean on anyone more than he has to, herself included. That's not how either of them operate. In completely foreign situations, most field agents would withdraw from help, or even try to offer it, before searching it out.]
no subject
she is right: he is far more likely to offer help to those seemingly in need of it than he is to search it out. even so, he's already learned some things of this place and it didn't even take an interrogation. information is as much a necessity in warfare and espionage as physical strength and tactics are. without knowledge, tactics are useless, and sheer strength wins fights, but only sometimes.
if she is offering support, he won't ask for it.
( there is a moment's relief that she is here, but it is quickly followed by anger and the exact opposite of relief. if she is here, that means whoever snatched him managed to get the drop on her as well, and it means that there is no one with the team to look after them.
he would have trusted may to do it, but it still feels like his responsibility.
a responsibility he is failing, despite his best intentions. ) ]
May.
[ a nod, short and clipped. ]
no subject
This is as safe a place to talk as they're going to get on the ship. She's assuming a blanket lack of privacy; that they're being observed at all times. If she were masterminding this operation, she wouldn't take her eyes off the passengers for one second.]
You know where we are?
[Her confirming tone of voice should make it clear that the question's for his benefit, not hers. She knows the generally accepted answer, even though the situation's a lot bigger than their part in it, and she hasn't had enough time, or processed enough reliable information, to feel anything other than new herself.]
no subject
if she confirms — if she confirms, he will accept that they are, indeed, in space. ]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
( actual least emotional reunion thread i've ever seen. )
( you said it )