axmods. (
ataraxites) wrote in
ataraxionlogs2014-02-07 09:55 pm
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Entry tags:
- !jump,
- abed nadir,
- abigail mills,
- agent washington,
- ai enma,
- alaric saltzman,
- alayne stone,
- alex summers | au,
- arthur pendragon,
- arya stark,
- bahorel,
- bucky barnes,
- captain hook (killian jones),
- carolyn fry,
- cassandra anderson,
- castiel,
- charles xavier,
- charlie bradbury,
- claire bennet,
- clint barton (1610),
- cora hale,
- courfeyrac,
- dana polk,
- dean winchester,
- elena gilbert,
- elizabeth of york,
- elizabeth woodville,
- emma swan,
- eric northman,
- faith lehane,
- fili,
- frodo baggins,
- gendry,
- harry lockhart,
- harry potter,
- ilde featherstonehaugh,
- isaac clarke,
- jack harkness,
- jaina solo,
- jean prouvaire,
- jenna sommers,
- juliana,
- leonard "bones" mccoy (xi),
- loki laufeyson,
- luke skywalker,
- lydia martin,
- lúthien,
- marty mikalski,
- master chief,
- melinda may,
- mr. gold (rumplestiltskin),
- nathan petrelli,
- ned | au,
- netherlands,
- nico di angelo,
- nill,
- nuala,
- peeta mellark,
- peter petrelli,
- pietro maximoff,
- rebecca crane,
- red scout,
- rick grimes,
- sam winchester,
- sapphire,
- seraphim dias,
- severus snape,
- sirius black,
- spike,
- stefan salvatore,
- stiles stilinski,
- takeshi,
- tara knowles,
- tauriel,
- veronica mars,
- wichita,
- will graham,
- yuri petrov
twenty-eighth jump;
CHARACTERS: Any and all.
LOCATION: Gravity Couches and beyond.
WARNINGS: Maybe some swearing, or even some violence, and more than likely some implied (and possibly explicit) nakedness.
SUMMARY: Another month, another jump, another round of new faces.
NOTES: It could just be the standard sensation of air on wet skin, but if you bother to check, you might notice the steam rising from your body, barely there and gone within a minute. By the time you get to the showers, it will be clear that it's not just taking you time to adjust. The room is cold — colder than usual, but no worse than the last jump. While it's nothing dangerous, it's certainly motivation to hurry through the usual routine and get dressed quickly.
It's getting closer.

YOUR EYES ARE OPEN.
KEEP LOOKING.
You wake up in darkness.
There's a breathing tube jammed down your trachea, and you're suspended in a tube of clear blue fluid. Upon registering your level of consciousness, the gravity couch drains the fluid surrounding you and retracts the breathing apparatus; the doors in front of you open, and you're deposited on the floor of a stark, sterile medical bay.
You are not alone.
There are others who have come before you, others who are awakening beside you. Some may be familiar to you, perhaps even friends. Others have much less amiable plans. Some are merely alien and inexplicable, but there are always those who might mean you harm.
After you catch your breath and your vision returns, you notice a number on the inside of your forearm. Maybe it's a familiar number. Maybe it means something. Maybe it's just a number. But the number—completely unique to you—is a tattoo, and it does not come off.
If you enter the room adjacent to the medbay, you will find a small locker with your number on it, surrounded by rows upon rows of identical lockers. Inside, you will find a few of your personal items, a communications device, and a ship's uniform in your exact size. The comms device is fully powered and connects directly to the ship's network; it's your only means of communication beyond physical conversation. Upon turning the device on, a neutral, automated voice will say, "Please take the blue lift to the passenger quarters." Any other attempts at communicating with the rest of the network are met only with static.
This is your welcome party.
LOCATION: Gravity Couches and beyond.
WARNINGS: Maybe some swearing, or even some violence, and more than likely some implied (and possibly explicit) nakedness.
SUMMARY: Another month, another jump, another round of new faces.
NOTES: It could just be the standard sensation of air on wet skin, but if you bother to check, you might notice the steam rising from your body, barely there and gone within a minute. By the time you get to the showers, it will be clear that it's not just taking you time to adjust. The room is cold — colder than usual, but no worse than the last jump. While it's nothing dangerous, it's certainly motivation to hurry through the usual routine and get dressed quickly.

YOUR EYES ARE OPEN.
KEEP LOOKING.
There's a breathing tube jammed down your trachea, and you're suspended in a tube of clear blue fluid. Upon registering your level of consciousness, the gravity couch drains the fluid surrounding you and retracts the breathing apparatus; the doors in front of you open, and you're deposited on the floor of a stark, sterile medical bay.
There are others who have come before you, others who are awakening beside you. Some may be familiar to you, perhaps even friends. Others have much less amiable plans. Some are merely alien and inexplicable, but there are always those who might mean you harm.
After you catch your breath and your vision returns, you notice a number on the inside of your forearm. Maybe it's a familiar number. Maybe it means something. Maybe it's just a number. But the number—completely unique to you—is a tattoo, and it does not come off.
If you enter the room adjacent to the medbay, you will find a small locker with your number on it, surrounded by rows upon rows of identical lockers. Inside, you will find a few of your personal items, a communications device, and a ship's uniform in your exact size. The comms device is fully powered and connects directly to the ship's network; it's your only means of communication beyond physical conversation. Upon turning the device on, a neutral, automated voice will say, "Please take the blue lift to the passenger quarters." Any other attempts at communicating with the rest of the network are met only with static.
no subject
I think so. I mean, yes.
no subject
Good.
[ that means she isn't entirely helpless. ]
no subject
she's really not. who would be? but she's been faking it for years. )
Who're you?
no subject
some people are very good at faking it. ]
Grant Ward.
[ either she already knows who he is, in which case telling her an alias will be of no use, or she doesn't, in which case looking him up will do her no good. ]
no subject
( since she just pronounced that mess Ihl-dey Fanshaw - it seems unlikely, under the circumstances, that he was going to do any such thing, but the offhand remark seems reflexive, her mouth running on autopilot while she gets her bearings. or ... doesn't really get her bearings, because nothing really makes any more sense now that she's standing up than a few moments ago.
she's pretty sure what's actually happened is that she's completely lost her mind. that seems like the most logical explanation. is there a logical explanation? no. probably not. )
You should find some pants. Men look less dignified than women do, naked.
( what. )
no subject
there must be a logical explanation; ward just doesn't know it yet. ]
I —
[ congratulations. his nudity had absolutely not been a priority and had barely featured on his mental radar, too low on the list of priorities to make it into his assessment of the situation, but now she's forcibly dragged it to the top of the list and he's left floundering a little. ]
Are you going to be all right on your own?
no subject
her smile is a little more brittle, fleeting like light behind a shutter-- )
Probably only the one way to find out, I suppose.
no subject
and still — he's loathe to just leave her. she doesn't look all right. ]
Come on.
no subject
eventually: )
...okay.
( he might be imaginary, but he's an imaginary person who even nude and swinging his spare elbow skin around looks more competent than she is. )
no subject
and then he starts walking, expecting her to follow. he's careful when he rounds corners, wary, thorough — and quiet. ]
no subject
he doesn't know what's going on, either, she can tell. he seems like the type who would've made it clear if he did, especially now that she's following him around like a semi-naked duckling. )
What do your friends call you?
( just making conversation with the big naked guy. )
no subject
[ he doesn't have any friends that really call him by his first name; he prefers it that way. professional distance. there are some people from whom he wouldn't mind it or protest the first name, but — well. ]
You?
[ he understands well enough that sometimes, people need distraction to cope. he doesn't, but he can chat. or at least not shut her down completely. ]
no subject
All sorts of things.
( some of them less flattering than others. ilde accumulates nicknames at an astonishing rate; 'little ilde' something affectionate, 'princess' something rather more snide. in spite of her aimlessness and her conversational air, though, she marks it when he slows, cautiously, at corners - stills and quiets accordingly, continues when he does. she is a lot of things, this one, but she's not as silly as she sometimes pretends. )
no subject
[ frankly, he could very well have told her that he doesn't have friends. it would have been true enough; he doesn't consider much of anyone a friend. may is a colleague, maybe more, but friend doesn't cover it. he's skye's supervising officer. fitzsimmons are colleagues. and so on. ]
no subject
( that's probably some kind of joke, given that he doesn't seem like a man who has ever felt like being twee in his life. if he's even familiar with the concept.
she decides, abruptly, that she is going to call him Grant. he will find this out at some point. )
no subject
[ he is, in fact, not familiar with the concept at all. if she'd care to explain, now would be a good time — and it would provide the conversation she wanted while he creeps steadily forward, too. ]
no subject
( look, she even provided an example. next: diagrams. or not, since neither of them have anything on them for the purpose. well. he could probably write his name, if they found some snow.
...unlikely. )
no subject
[ he's not impressed, and his tone very strongly hints at that, but he does get the general idea. so there is no need for diagrams and he most certainly won't write his name in any non-existent snow, either. ]
no subject
You seem more like a 'this is me smiling' sort of fellow.
no subject
[ now the question is, is he really that socially inept and clueless, or is he just playing at it? ]
no subject
Look at that! ( brightly. ) You do have a sense of humour.
no subject
If you say so.
no subject
That or you've been living under some form of rock for a very long time, but in that case I'd feel much less confident in you putting yourself in charge of anything.
( reasonings. )
no subject
[ dryyyy ]
no subject
( her unnecessarily detailed analysis is both a useful thing to distract herself with, and extraordinarily matter of fact in how she is openly and casually picking apart what of him she can recognize and understand. )
It's more likely that you were being sassy in a Tommy Lee Jones sort of way than that you were actually raised by wolves with American accents.