axmods. (
ataraxites) wrote in
ataraxionlogs2014-02-07 09:55 pm
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Entry tags:
- !jump,
- abed nadir,
- abigail mills,
- agent washington,
- ai enma,
- alaric saltzman,
- alayne stone,
- alex summers | au,
- arthur pendragon,
- arya stark,
- bahorel,
- bucky barnes,
- captain hook (killian jones),
- carolyn fry,
- cassandra anderson,
- castiel,
- charles xavier,
- charlie bradbury,
- claire bennet,
- clint barton (1610),
- cora hale,
- courfeyrac,
- dana polk,
- dean winchester,
- elena gilbert,
- elizabeth of york,
- elizabeth woodville,
- emma swan,
- eric northman,
- faith lehane,
- fili,
- frodo baggins,
- gendry,
- harry lockhart,
- harry potter,
- ilde featherstonehaugh,
- isaac clarke,
- jack harkness,
- jaina solo,
- jean prouvaire,
- jenna sommers,
- juliana,
- leonard "bones" mccoy (xi),
- loki laufeyson,
- luke skywalker,
- lydia martin,
- lúthien,
- marty mikalski,
- master chief,
- melinda may,
- mr. gold (rumplestiltskin),
- nathan petrelli,
- ned | au,
- netherlands,
- nico di angelo,
- nill,
- nuala,
- peeta mellark,
- peter petrelli,
- pietro maximoff,
- rebecca crane,
- red scout,
- rick grimes,
- sam winchester,
- sapphire,
- seraphim dias,
- severus snape,
- sirius black,
- spike,
- stefan salvatore,
- stiles stilinski,
- takeshi,
- tara knowles,
- tauriel,
- veronica mars,
- wichita,
- will graham,
- yuri petrov
twenty-eighth jump;
CHARACTERS: Any and all.
LOCATION: Gravity Couches and beyond.
WARNINGS: Maybe some swearing, or even some violence, and more than likely some implied (and possibly explicit) nakedness.
SUMMARY: Another month, another jump, another round of new faces.
NOTES: It could just be the standard sensation of air on wet skin, but if you bother to check, you might notice the steam rising from your body, barely there and gone within a minute. By the time you get to the showers, it will be clear that it's not just taking you time to adjust. The room is cold — colder than usual, but no worse than the last jump. While it's nothing dangerous, it's certainly motivation to hurry through the usual routine and get dressed quickly.
It's getting closer.

YOUR EYES ARE OPEN.
KEEP LOOKING.
You wake up in darkness.
There's a breathing tube jammed down your trachea, and you're suspended in a tube of clear blue fluid. Upon registering your level of consciousness, the gravity couch drains the fluid surrounding you and retracts the breathing apparatus; the doors in front of you open, and you're deposited on the floor of a stark, sterile medical bay.
You are not alone.
There are others who have come before you, others who are awakening beside you. Some may be familiar to you, perhaps even friends. Others have much less amiable plans. Some are merely alien and inexplicable, but there are always those who might mean you harm.
After you catch your breath and your vision returns, you notice a number on the inside of your forearm. Maybe it's a familiar number. Maybe it means something. Maybe it's just a number. But the number—completely unique to you—is a tattoo, and it does not come off.
If you enter the room adjacent to the medbay, you will find a small locker with your number on it, surrounded by rows upon rows of identical lockers. Inside, you will find a few of your personal items, a communications device, and a ship's uniform in your exact size. The comms device is fully powered and connects directly to the ship's network; it's your only means of communication beyond physical conversation. Upon turning the device on, a neutral, automated voice will say, "Please take the blue lift to the passenger quarters." Any other attempts at communicating with the rest of the network are met only with static.
This is your welcome party.
LOCATION: Gravity Couches and beyond.
WARNINGS: Maybe some swearing, or even some violence, and more than likely some implied (and possibly explicit) nakedness.
SUMMARY: Another month, another jump, another round of new faces.
NOTES: It could just be the standard sensation of air on wet skin, but if you bother to check, you might notice the steam rising from your body, barely there and gone within a minute. By the time you get to the showers, it will be clear that it's not just taking you time to adjust. The room is cold — colder than usual, but no worse than the last jump. While it's nothing dangerous, it's certainly motivation to hurry through the usual routine and get dressed quickly.

YOUR EYES ARE OPEN.
KEEP LOOKING.
There's a breathing tube jammed down your trachea, and you're suspended in a tube of clear blue fluid. Upon registering your level of consciousness, the gravity couch drains the fluid surrounding you and retracts the breathing apparatus; the doors in front of you open, and you're deposited on the floor of a stark, sterile medical bay.
There are others who have come before you, others who are awakening beside you. Some may be familiar to you, perhaps even friends. Others have much less amiable plans. Some are merely alien and inexplicable, but there are always those who might mean you harm.
After you catch your breath and your vision returns, you notice a number on the inside of your forearm. Maybe it's a familiar number. Maybe it means something. Maybe it's just a number. But the number—completely unique to you—is a tattoo, and it does not come off.
If you enter the room adjacent to the medbay, you will find a small locker with your number on it, surrounded by rows upon rows of identical lockers. Inside, you will find a few of your personal items, a communications device, and a ship's uniform in your exact size. The comms device is fully powered and connects directly to the ship's network; it's your only means of communication beyond physical conversation. Upon turning the device on, a neutral, automated voice will say, "Please take the blue lift to the passenger quarters." Any other attempts at communicating with the rest of the network are met only with static.
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There. Your stupid waffle. [ she hopes he chokes on it. ]
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Thanks.
[There's something more subdued in him now that he's got his hunger under control again--at least for now; that could all change in a second. And with that is this vague feeling of shame, for talking all tough at a kid, and getting her to cook for him. w o w mitchell everyone is impressed with you.]
Look, I'm sorry. It's--these fuckin' jumps. [saying the fuck word around 12 year olds isn't really a high crime or anything; she's old enough to be cool and probably says worse herself.] They aren't exactly a walk in the park.
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That doesn't mean you have to be a camel's cunt about them. [ if her mother could hear her now. ]
[ arya dumps the dirty bowl in the sink and wipes down the counter a bit before hopping on top of it. balancing the plate on her lap, she eats with her hands, ripping the waffles into little pieces.
on second thought, let's not have cat walk in on this. ]
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Good advice. I'll remember that next time.
[And he's not the politeness police, or anything, so he doesn't comment on the feral wolf girl routine. He does shove himself away from the counter to fetch himself a fork.]
What name do I get called if I ask you if you were raised by the wolf of yours.
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I raised her. [ obviously. ] Since she was a pup. I got her when she was still blind.
[ only ghost had opened his eyes when the direwolves arrived in winterfell. she had asked jon if her pup would have red eyes too and he said he doubted it. some time later, nymeria opened her eyes for the first time and between her half-parted lids arya caught sight of a dark blue iris. within days the color lightened and settled on a muted gold that shone as bright a yellow as a polished golden dragon when sunlight hit it. arya still thinks it the prettiest color she has ever seen. ]
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Got her or found her?
[Because she isn't the kind of thing you pick up at the pet shop, and she isn't the kind of thing Father Christmas would slip in to a stocking.]
What's she eat?
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[ arya pops another piece in her mouth. ]
She'll eat waffles too. As long as they're made of meat. [ she nudges nymeria with her foot. ] There isn't much hunting to be done up here. Last time she had fresh meat, it was a dead doe that showed up in a locker.
[ while nymeria ate the mother, arya named the fawn. #teamwork. ]
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A waffle... made of meat. I'm pretty sure that's not actually a thing.
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Yeah, no. But kids do make shit up, where I'm from. How would you even make a meat waffle? Even saying it sounds disgusting.
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[A meat waffle. Now that he's heard the words, he thinks them all over again, with a twist of his mouth--and what's worse is, he can sort of picture it. Raw and disgusting, and then suddenly he thinks of the blood in it, and that's one step away from blood that's everywhere else, and he shoves his plate away in his haste to move away from the counter.]
Jesus. [That comes out, mumbled; he shoves his wrist over his mouth, like maybe he's going to be sick--but it's worse than that. It's not a sick feeling, it's much worse, and he fights it down, staring fixedly at the waffle, just the regular old waffle, that this kid made for him. That's all.]
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It's not that bad! If you don't like it, you can just leave it!
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[He sets his teeth together, as the swift sweep of hunger passes through him again. It shouldn't matter whether or not this kid is hurt or not by what he's just said--but it does matter, of course, because he likes for people to like him, because she was only doing him a favor and he owes her appreciation, at least--]
The meat one. The meat waffle, that's what I meant. That's what I wouldn't want. This one, it's good.
[He picks up his fork--clumsy at first, but his grip at it relaxes as the hunger abates a bit more. God, this is stupid.]
Sorry.
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the waffle suffers for her ill humor. more gets ripped up only for the sake of ripping something. arya keeps eating, though she lost her appetite. she dumps the empty plate in the sink with the rest. when she hops off the counter, nymeria is next to her and nuzzling her hair. ]
Let's go, [ she tells the wolf. ]
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[The silence wasn't an easy one, and it doesn't matter. One kid, in a ship of hundreds. He doesn't even know her name. But it sits badly to have it go like this. He likes to be liked--and he likes kids. It's gotten him into trouble before, but that was then. This is now.
He'd hardly noticed that she was gathering herself to leave but he looks around now, suddenly, still hunched over the counter.]
Thanks. I mean it. I owe you one. [He nods, toward the plate, and his half finished waffle. It's a loaded offer in both directions, even if she doesn't know exactly what she's getting the offer from.] A favor, or-- whatever.
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What's your name?
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[He pushes away from the counter so he can stand straighter. It might look intimidating if he wasn't back to looking like such shit--but a little more vaguely. Everyday shit. It's easier now that he's more under control.]
And you're...
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[ give her a moment, ] You're the drunk on the network!
[ one of them. whatever. point is she can safely say he is always in his cups. this explains everything. ]
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Was drunk. Not the drunk. I've got a hell of a lot more drinking t' do before I'm known as the drunk.
[Right? Right.]
Who are you, then?
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[ maybe he has hearing problems too. can too much drink do that? ]
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[It's more teasing than anything--even if he's got lots of paranoia, and a healthy respect for kids being more than they seem--but whatever, still teasing.]
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not only were they arguing with a kid, it also happened to be a girl. ]
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Yeah. I knew it. I fucking knew it. [if only he'd staked money on her being a kid! and a girl. jeez. what is dignity.] You argue pretty well, for a kid. Or maybe because you're a kid.
...Not that we were any great competition at the time. [self-deprecating and honest.]
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