Guide (
theguidinghand) wrote in
ataraxionlogs2012-05-07 10:49 pm
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Entry tags:
- !jump,
- "todd",
- adrian veidt,
- alayne stone,
- alex summers,
- alice hamilton,
- am,
- anne marie cunningham,
- aragorn,
- ariadne,
- artemis,
- arthur,
- asato,
- asha greyjoy,
- atton rand,
- bass,
- bela talbot,
- bran stark,
- brian kinney,
- bruce banner,
- caprica six,
- caroline forbes,
- castiel,
- cat,
- cave johnson,
- charlotte "chuck" charles,
- chase kilgannon,
- chell,
- cheshire,
- christian,
- damon salvatore,
- dean winchester,
- dee laytner,
- dirk strider,
- dist,
- dominick cobb,
- dr claire saunders (whiskey),
- eames,
- elle bishop,
- eridan ampora,
- errol partridge,
- finnick odair,
- gabriel "chapel hill" sinclair,
- gabriel "sylar" gray,
- garry,
- georgette "buffy" meissonier,
- godric,
- hal 9000,
- hallah "aberdeen" tawse,
- hatter,
- hayley stark,
- haymitch abernathy,
- heather mason,
- hikaru sulu (xi),
- ian "dundee" malone,
- ianto jones,
- irene adler,
- irene adler (2009),
- isaac clarke,
- isaac mendez,
- jack harkness,
- jack kelly,
- jade curtiss,
- jaime lannister,
- james moriarty,
- james t. kirk (xi),
- jane foster,
- jarvis,
- jason "red hood" todd,
- jaye rinnark,
- jeff "joker" moreau,
- jenna sommers,
- john "oxford" buchanan,
- john shepard,
- john watson,
- jonathan crane,
- jules "starling" grumley,
- justin taylor,
- kaidan alenko,
- kaldur'ahm,
- kara "starbuck" thrace,
- katherine pierce,
- katniss everdeen,
- konoe,
- lawrence crock,
- leonard "bones" mccoy (xi),
- mallorie "mal" cobb,
- margaret "peggy" carter,
- mary winchester,
- mason lockwood,
- max guevara,
- megamind,
- murphy pendleton,
- natasha romanoff,
- nathan petrelli,
- neal caffrey,
- nepeta leijon,
- netherlands,
- niklaus mikaelson,
- october bantum,
- peeta mellark,
- pepper potts,
- peter petrelli,
- petyr baelish,
- quinn fabray,
- ratchet,
- raven darkholme,
- remus lupin,
- rey,
- richard b. riddick,
- robb stark,
- ros,
- roxanne ritchi,
- roy harper,
- russia (ivan braginski),
- sam winchester,
- santana lopez,
- sawyer "soysauce" sciarrino,
- sherlock holmes,
- simon silverton,
- sirius black,
- skulduggery pleasant,
- statsraaden,
- stefan salvatore,
- superboy,
- tali'zorah vas normandy,
- tate langdon,
- taylor "tyke" kee,
- teagan,
- theon greyjoy,
- timothy "red robin" drake wayne,
- tommy conlon,
- tony stark,
- topher brink,
- tyler lockwood,
- wesley gibson,
- wheatley,
- yoite
SIXTH WAVE
CHARACTERS: Everyone
LOCATION: Gravity Couch Room
WARNINGS: Possible swearing, possible violence, implied (and possibly explicit) nudity.
SUMMARY: Another month, another jump, another round of new faces.
NOTES: Yep, we're continuing the tradition of re-hashing the game premise.
---
You wake up in darkness.
There's a breathing tube jammed down your trachea, and you're suspended in a tube of clear blue fluid. Upon registering your level of consciousness, the gravity couch drains the fluid surrounding you and retracts the breathing apparatus; the doors in front of you open, and you're deposited on the floor of a stark, sterile medical bay.
You are not alone.
There are others who have come before you, others who are awakening beside you. Some may be familiar to you, perhaps even friends. Others have much less amiable plans. Some are merely alien and inexplicable, but there are always those who might mean you harm.
After you catch your breath and your vision returns, you notice a number on the inside of your forearm. Maybe it's a familiar number. Maybe it means something. Maybe it's just a number. But the number—completely unique to you—is a tattoo, and it does not come off.
If you enter the room adjacent to the medbay, you will find a small locker with your number on it, surrounded by rows upon rows of identical lockers. Inside, you will find a few of your personal items, a communications device, and a ship's uniform in your exact size. The comms device is fully powered and connects directly to the ship's network; it's your only means of communication beyond physical conversation. Upon turning the device on, a neutral, automated voice will say, "Please take the blue lift to the passenger quarters." Any other attempts at communicating with the rest of the network are met only with static.
This is your welcome party.
LOCATION: Gravity Couch Room
WARNINGS: Possible swearing, possible violence, implied (and possibly explicit) nudity.
SUMMARY: Another month, another jump, another round of new faces.
NOTES: Yep, we're continuing the tradition of re-hashing the game premise.
---
There's a breathing tube jammed down your trachea, and you're suspended in a tube of clear blue fluid. Upon registering your level of consciousness, the gravity couch drains the fluid surrounding you and retracts the breathing apparatus; the doors in front of you open, and you're deposited on the floor of a stark, sterile medical bay.
There are others who have come before you, others who are awakening beside you. Some may be familiar to you, perhaps even friends. Others have much less amiable plans. Some are merely alien and inexplicable, but there are always those who might mean you harm.
After you catch your breath and your vision returns, you notice a number on the inside of your forearm. Maybe it's a familiar number. Maybe it means something. Maybe it's just a number. But the number—completely unique to you—is a tattoo, and it does not come off.
If you enter the room adjacent to the medbay, you will find a small locker with your number on it, surrounded by rows upon rows of identical lockers. Inside, you will find a few of your personal items, a communications device, and a ship's uniform in your exact size. The comms device is fully powered and connects directly to the ship's network; it's your only means of communication beyond physical conversation. Upon turning the device on, a neutral, automated voice will say, "Please take the blue lift to the passenger quarters." Any other attempts at communicating with the rest of the network are met only with static.
Asato | OTA
He needs to shower. Being this dirty is enough to make any cat finicky, and while Asato doesn't seem to care a whole lot about his appearance as a whole, the sensation of the stasis fluid drying on him--and in his fur, that's the worst--is enough to make his skin crawl. A towel was enough to get the worst of the damp, sticky goo off of him, but it's definitely not enough to have him feeling at ease in his own skin, so he wraps the towel around his waist and tries to get his belongings together as quickly as he can. Luckily, he doesn't own much at all.
For a long moment after he closes his locker again, the Ribika can be seen closing his eyes and tipping his head back just a little, his ear turning as if he's listening for something. He inhales deeply and holds it, going still, then releases that breath in a sigh. Whatever he was searching for-- something that he himself can't quite describe either, but somehow recognizes when he feels it--he seems to have found it.
Maybe things will be alright on the Tranquility still. He smiles and makes his way towards the showers, keeping an eye out for familiar and new faces alike.
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She stood still, staring at them for a moment, when she felt her arm jostled slightly by someone else around. She jumped, not used enough to being around large amounts of people to be able to deal immediately with someone in her personal space unexpectedly. She bit back on a squeak, but just barely. She did take a step away, which brought her straight into someone else. That time she did squeak, and stare widely at the person -- with cat ears? -- that she'd bumped into.
"I'm sorry," she said. That's what people did in old television shows and movies when they bumped into other people, right? Buffy knew that they didn't panic, and that doing so wouldn't help her now.
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"I didn't mean to bump into you. Are you alright?" By now, he's facing her, and he doesn't recognize her at all. A newcomer? Or perhaps just someone who's a little more reclusive; they have that sort of people on this ship too.
It'd be harder to think what sort of people they don't have here on the ship, at this point.
He's a solid six feet tall, so he towers over her, and still he doesn't actually look all that intimidating. But then, he's not trying to be.
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"Just a little bump. I'm fine" she replied. An injury that drew blood -- no matter the amount or other severity of it -- would cause her to freak out quite a lot, but that wasn't even hard to cause any sort of bruise. It was just everything else that didn't make any sense and wasn't really okay.
"Although... Do you know how to get into contact with the supervising doctor?"
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"Doctor? I don't know about doctors. But there's a place called the medbay here where you can go to have your wounds looked at."
Which brings him to the next questions--
"You're not hurt, are you?"
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"You mean this whole place isn't a medical facility?" Buffy studies the walls, considering it. She can believe it of the CDC and nowhere else, but then, he doesn't fit.
"Who are you?" she asks.
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In space. The way he talks about it makes it abundantly clear that he's not from this time period and isn't completely comfortable with the terminology--or the concepts themselves.
"I'm Asato." Her question is answered after a long pause.
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"We're on a spaceship?" Space exploration had been given up after the Rising, not much point in spending a lot of money just to have one of the astronauts eat his crewmember.
"How did we get here?"
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People gone, too. That's the hardest part.
"You came out of one too." She smells and looks like it, at least.
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She smiles at him again. She doesn't offer out her hand because it's best to avoid casual touch, in a culture like hers. "I'm Buffy. It's nice to meet you."
She pauses a moment, then shrugs. "I was actually asking, though, because of the...ears."
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Or no one will say. Either way, he's yet to find someone who isn't completely in the dark about all this and why they're here. When she introduces herself, he echoes her name and nods. The lack of casual touching it just fine by him; he's only just beginning to figure out how that works, and he's perfectly content to be friendly but keep his distance.
"Ears." He looks up. "They are my ears. Ribika ears."
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"Ribika? I'm afraid that the name isn't familiar with me. And, uh. How is it here, generally?"
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He's not angry about that in the slightest. In fact, it's kind of fascinating, seeing so many different species from different worlds here.
"It's alright here. There are a lot of friendly people. But sometimes strange things happen, so you have to be careful. Be careful of the red smiling face. Something bad happened with that earlier."
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"And with 'something bad', you're going to have to get a lot more specific."
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He draws it out in the air as he says it (what are colons and parentheses?) to help illustrate what he means.
"That face was there when we were stuck in a room with skeletons. I don't know who the skeletons were, but the writing on the wall had the red smiling face. A lot of people saw it. That's the bad thing, too."
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She's not even going to address the fact that the red smiling face seems to be some kind of...signature, rather than how people should be referring to whoever's behind it.
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His tail curls pensively around his ankle.
"Since then, things have happened. But there's always been a way to fix them."
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"And when you say, a way to fix them, could you perhaps explain a little more what you mean? It's just that I don't see how to fix something like a room filled with bones."
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But for the most part, it seems like the good guys far outnumber the bad guys, and from what he gathered the recent demon infestation wasn't even started with completely malicious intent, either.
"We couldn't fix the room. But they could make the demons go away."
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"If I can...demons how? Demons like story demons or demons like...some scientific technobabble that corresponds to what you're calling demons?"
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"Is that bad?"
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